Note: I was on the judging panel for the 2012 Aurealis Awards which awarded Perfections with Best Horror Novel.
Two sisters. One wish. Unimaginable consequences.
Not all fairytales are for children.
Antoinette and Jacqueline have little in common beyond a mutual antipathy for their paranoid, domineering mother, a bond which has united them since childhood. In the aftermath of a savage betrayal, Antoinette lands on her sister’s doorstep bearing a suitcase and a broken heart. But Jacqueline, the ambitious would-be manager of a trendy Melbourne art gallery, has her own problems – chasing down a delinquent painter in the sweltering heat of a Brisbane summer. Abandoned, armed with a bottle of vodka and her own grief-spun desires, Antoinette weaves a dark and desperate magic that can never, ever be undone.
Their lives swiftly unravelling, the two sisters find themselves drawn into a tangle of lies, manipulations and the most terrible of family secrets.
Perfections is the second novel by Kirstyn McDermott, originally released as an ebook only from Xoum, and recent re-released by Twelfth Planet Press as a gorgeous paperback. McDermott’s debut novel, Madigan Mine is also being re-released by Twelfth Planet Press as an ebook.
First thing: I am so happy to be able to own a physical copy of this book. I read a lot of ebooks, but for books that I really love (spoiler: I love this book), I really like having a physical copy on the shelf. And this is a seriously gorgeous book, with stunning cover art by Amanda Rainey.
Second thing: I am a massive fan of McDermott’s work in general. In terms of craft, she is extraordinarily talented – at a sentence level, her prose is lyrical and evocative, and her characters are always exquisitely drawn. From the moment they step foot onto the page, they live and breathe and feel; combine this with the darkness that twines through most of McDermott’s work, and you have something truly extraordinary.
Perfections is what I’ve come to expect from McDermott – grounded in reality, but a reality slightly twisted, threaded through with dark magic. I don’t want to talk too much in depth about the plot of the book – there are details that aren’t really spoilers, but I believe that the reading of the book is a much richer experience if you don’t know them.
Perfections is, at its heart, a book about sisters, about daughters, about mothers. It is a book about the way families can twist around secrets (and oh, the secrets that this family has). The reader moves back and forth between the viewpoints of two sisters, Antoinette and Jacqueline. Both are skilfully drawn, and it is very easy to feel empathy for both of them and the situations that they are in; especially well done is the juxtaposition between how they see themselves and how they are seen by their sister.
There is darkness here: both of the human variety (and kudos to McDermott for how well she handles some of the true nastiness in her characters – it always makes sense, and is never there for the sake of a character having to be nasty to justify a dark genre), and of the fantastical. There is some particular imagery from near the end of the book that I will likely never be able to get out of my head (if you’ve read the book, I bet you know what I mean).
And, without spoiling anything, Perfections has a seriously good ending.